Ok, so when you look at the set of Koji LUTs, there's no obvious LUT for applying straight to ML RAW footage. This was actually shot using the 3x crop mode. Shooting technical: I'm using a Canon 5D3 on firmware 1.2.3.
Video noise reduction using magic lantern how to#
I should also point out that this is not a review - it's simply the results of a little experimentation on how to integrate Koji Log with Magic Lantern RAW. I should probably point out that I'm using the Koji Log set of LUTs for this test - not the Rec709 set. cube LUTs built for all popular camera types and colour spaces - Arri Log C, Blackmagic BMD Film, Canon C Log, RedLog, Slog3 and a whole host of Rec709 counterparts for all you Rec709 capture fiends.
Koji have released their Koji Color LUTs for a multitude of editing / colour applications. In the standard video mode noise in the shadows win, reducing what little is left to a crumpled heap of mushy brown. Remember these are just starting points, yet we have a nice consistent colour with a very filmic quality. Slight curves adjustment on the first timeline node (just lifted the black point a bit - I like that flatter look).Ĭonsidering I didn't delve any deeper into the grade - I'm quite impressed by the results. Film grain (35mm academy at around 35-40%) added using film convert on a second timeline node.Ĩ. Noise reduction (Neat Video OFX) on the clip second node (so the NR is seeing the Cinelog LOG-C image and processes BEFORE the Koji LUT)ħ. Remove monitor LUT and apply Koji_Arri_LogC_to_Rec709_2383.cube to the first timeline node.Ħ. Correct RAW white balance and exposure (I do this pretty loosely and make further adjustments after step 5 if needed).ĥ. Apply _Cinelog-C_to_sRGB.cube as a monitor LUTĤ. Temporal NR works by comparing details between a set number of frames, and eliminating per-frame changes, such as video noise. Apply _BMD_Film_4K_to_Cinelog-C.cube in the project settings as the 3D input LUT.ģ. Canon 60Da Settings for Astrophotography - posted in DSLR, Mirrorless & General-Purpose Digital Camera DSO Imaging: Just a sample compilation of Canon 60Da Settings for Astrophotography your comments/suggestions are welcome to optimize these settings. Although the best noise reduction is usually accomplished using a combination of both methods, temporal noise reduction usually retains more detail, at the cost of being slower and using more video RAM. Load the DNG sequences in Resolve, CNDG project settings to BMD Film 4k with highlight recovery on.Ģ. We then use the Arri Log-c versions of the Koji luts.ġ. Cinelog is used to get our ML RAW (as BMD 4k) DNGs looking like Alexa Log-c footage. Nether have any serious grading going on, the workflow uses both Cinelog and Koji Log - remember these are two separate products. Here are two videos I have used the Cinelog + Koji LOG workflow.